Through graphic displays of
human depravity, Joseph Conrad not only handed the reader the information on
human cruelty, but submersed him into the suffering using intricate imagery
deep enough to cause him to form his own opinion on the plot action. The Heart of Darkness, a historical
fiction frame narrative, breaks down human nature to its most raw element, as
is alluded to in the plot’s progressive journey into deepest darkest
Africa. Joseph Conrad presented the
wickedness graphically without moralizing, thus forcing the reader to come to
grips with and develop his own opinion.
Marlow, the main character and frame narrator, vividly
described his surroundings during his travels from England to inner
Africa. He reported the mass worship of
Kurtz, a “universal genius” well-versed in philosophy and extremely successful
in the plunder of ivory from natives, and the disappointment his disciples felt
when he surrendered to his own mortality.
In contrast, Marlow witnessed Kurtz’s own downfall, summed up in his
final words, “The horror, the horror!”
Kurtz had encouraged the revering of himself, while unabashedly shedding
the blood of countless innocents in the pursuit of the power-bringing ivory,
and surrounded himself with the heads of his enemies as mementos of his
superiority. The Heart of Darkness
showed man’s depravity and man’s innate need to worship.
The Heart of Darkness is an exercise in analysis and
moral development. Because it strictly
and meticulously reports the action and does not pass judgment, the novel
causes the reader to think deeply about the unwise placement of faith and
failure of man to act as God. The
suffering of the natives under Kurtz’s control, as well as Kurtz’s own horrific
life, serve as an open-ended lesson to whomever desires to delve into the
pain. The reader, to truly appreciate
Conrad’s work, must realize his own worldview, come to an understanding of the
gravity of mankind’s depravity, and from that develop a framework to prevent
such viciousness in his own circle of influence.
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